144 pages
Michael Jackson’s Concise Malt Whisky Companion Special Edition is a handy size. Michael Jackson is the world’s best selling and most internationally published writer on whisky. Also known as “The Whisky Chaser.”
MICHAEL JACKSON THRILLER 25TH ANNIVERSARY – The Final Act! February 12th, 2008 saw the release of Michael Jackson’s Thriller album in a special 25th anniversary edition featuring all classic Thriller hits digitally remastered, a bonus DVD with Jackson’s electrifying appearances and dance moves from the Thriller era PLUS brand-new tracks and remixes of Thriller’s biggest hits with guest stars such as Akon, Fergie, Kanye West, and will.i.am. Michael Jackson 2009 Wall Calendar is the fin (Click here for more detail…)
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Where Off the Wall was pretty much straight good times, Thriller introduced dread into Michael Jackson’s solo work. By 1995’s HIStory, this element curdled into overwhelming self-regard and out-of-touchness, but here it’s bracing. While Thriller offers its share of cute (”The Girl Is Mine,” a duet with Paul McCartney that was the album’s first single; “P.Y.T.”), the most memorable cuts remain “Billie Jean,” “Beat It,” and “Wanna Be Startin’ Somethin’,” (Click here for more detail…)
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Given the pace of Michael Jackson’s post-Thriller release schedule, it’s striking that Off the Wall appeared between two albums with his brothers, Destiny (1978) and Triumph (1980), on which the twentysomething phenomenon was also fully engaged. Aided by richly detailed but not overdone production, Off the Wall redefined how much Michael might do. Tracks like “Don’t Stop ‘Til You Get Enough,” “Rock with You,” the title cut (all Top 10 singles), and ” (Click here for more detail…)
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“We wanted a tough album,” producer Quincy Jones recalls in a bonus interview on this special edition of Bad. Though the 1987 blockbuster would appear to be Michael Jackson’s most personal statement to date–9 of its 11 cuts were written solely by him–its appeal also rested more on craft than the idiosyncratic art of Thriller and Off the Wall. At the same time, most of Bad has aged well in spite of its digital brittleness and MIDI treatments of gems l (Click here for more detail…)